Book Review – In the Heat of the Midday Sun: The Indelible Story of the 1986 World Cup by Steven Scragg

In the Introduction to In the Heat of the Midday Sun, Steven Scragg puts forward, a theory “that you’re chemically wired to your first World Cups.”

My first memories are as an eight-year old when on holiday in Torquay during the summer of 1970 and the World Cup in Mexico. I don’t recall the games as such and all my memories centre on the England v West Germany Quarter-Final and the infamous 3-2 loss. To my eyes and ears all the shops and hotels seemed awash with England squad pictures and Union Jack flags in their windows and the sound of ‘Back Home’ the England World Cup song ever present. I was still two years from attending my first ever game ‘live’ but remember everyone in the hotel we were staying at crowding round the television and the resulting disappointment as World Cup holders, England exited the competition despite leading 2-0 at one point.

Given that for me my first real World Cup was the one held in West Germany in 1974. A tournament of just 16 teams, with four groups of four, with the top two progressing to a further mini-league each containing four teams, with the winners of each meeting in the Final. Memories that are still so clear in my mind include the huge thunderstorms that affected a number of games, a meeting between East and West Germany, Scotland not losing a game but exiting on goal-difference, the beauty and brutality of the Netherlands 2-0 win over Brazil, the birth of the Cruyff turn in the game against Sweden, and the bitter disappointment that the Dutch didn’t lift the newly designed trophy.

And on that basis for me, as Scragg’s theory suggests, those 1970 and 1974 burn more brightly and more special, even taking into account England’s Semi-Final appearances in Italia ’90 and Russia in 2018.

For Scragg, whilst he admits that 1982 is his favourite World Cup, he sees 1986 in Mexico “in his mind as the last great World Cup” and in the books Introduction, he cites his reasons why each of the tournaments since 1998 “has lost a little bit more of its shine”. With Qatar 2022 on the horizon Scragg opines, “I’m not sure that FIFA will ever fully recover its composure.” Only time will tell.

The reality is that the World Cup in 1986 wasn’t supposed to be held in Mexico and Chapter One, details how in typical murky FIFA tradition, Colombia was chosen as the host country for the thirteenth staging of the competition. With Columbia withdrawing in 1982 unable to finance the hosting, a shortlist was drawn up involving Mexico, the USA and Canada (who in 2026 will joint-host the tournament). With more sleight of hand from FIFA, Mexico landed the prize becoming the first country to host two World Cups.

One of the great things about Scragg’s excellent books to date (A Tournament Frozen in Time: The Wonderful Randomness of the European Cup Winners’ Cup, Where the Cool Kids Hung Out: The Chic Years of the UEFA Cup and The Undisputed Champions of Europe: How the Gods of Football Became European Royalty) is that that never run in an orthodox, simple timeline approach, with his research and ability to look from a different angle making them engaging for the reader.

1970 World Cup Panini sticker album

So within In the Heat of the Midday Sun, before he gets down to the business of the 1986 tournament, he takes readers on a wonderful aside as he describes the joy (with all the enthusiasm of the 12 year old Scragg was back in 1986) of looking at a completed Panini sticker album. These albums have been a staple for football fans since their first outing in 1970 and many of us have uncompleted versions from our childhood World Cups (this reader included!).

This is followed by a third chapter, The Hand of God, where Scragg makes the interesting point that to fully appreciate the 1986 World Cup, the infamous first goal from England’s defeat to Argentina has to be taken out of the equation. However, this is monumentally difficult because as the author observes, “it’s the defining image of the 1986 World Cup finals and it’s perhaps even the most distinguishing aspect of the entire history of the tournament stretching back to is very inception in 1930.” And we know that once the global audience is focused on Qatar later in 2022, the footage will once again be rolled out.

With these first three chapters out of the way, Scragg gets down to the tournament itself and takes an interesting path in the remaining fifteen. Rather than simply take it match-by-match as the games were played, he focuses on the teams as they were knocked out of the competition. In doing so, Scragg demonstrates his extensive research skills and tells the stories of all the participants, their path to qualification and their eventual exit from the tournament until Argentina are left as victors lifting the trophy for the second time, eight tears after first victory in their homeland.

Scragg is wonderfully able to conjure up the atmosphere of the time, such as the sweltering heat and the strange sounding commentary, always with a seemingly faraway echo, that accompanied the television images, but also some very specific things which take us back to watching certain games. From the England v Argentina Quarter-Final Scragg details the following, “a match was played out…on 22 June 1986, the midday sun blazing high in the sky, that spidery shadow lurking ominously in the centre circle.” Reading it I was instantly transferred back to watching the game at my local cricket club – a small well observed detail sparking that memory.

Ultimately this is a book which truly reflects Scragg’s joy and boyhood enthusiasm at watching the 1986 tournament and indeed comes across in every page. A tournament which despite the Hand of God goal, has a naivety and innocence that you sense won’t be felt in the 2022 version in Qatar.

(Publisher: Pitch Publishing Ltd. May 2022. Hardcover: 352 pages)

 

Buy the book here: Mexico 1986

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Book Review – 1982 Brazil: The Glorious Failure by Stuart Horsfield

Whilst England fans bemoaned the fact that the Three Lions exited the 1982 World Cup in Spain without losing a game and wondered at what might have been if Trevor Brooking and Kevin Keegan had been fully fit, Stuart Horsfield, then a ten year old boy living in Scarborough was transfixed not by the efforts of his country of birth, but by the football of another nation – Brazil, nicknamed the Seleção (The National Team).

1982 Brazil: The Glorious Failure, is Horsfield’s recollection of that summer 38 years ago, and the 12th edition of the FIFA World Cup in the sweltering Spanish sun. History has come to show that the Brazil side which contained stars such as Sócrates, Zico, Eder and Falcão played some outstanding football that the media, pundits and fans alike believed should have seen them become World Champions in 1982. However, as the record books show, that didn’t come to fruition, with coach Telê Santana’s skilful squad exiting to the pragmatic Italian side, who themselves went onto lift the trophy.

Horsfield builds to that game by providing the reader with a link back to previous Brazilian national sides starting with another infamous game against Italy, that being the 1970 World Cup Final in Mexico. That 4-1 victory for the Seleção is held up as possibly the greatest final in World Cup history, with the likes of Carlos Alberto, Pelé, Rivellino and Jairzinho providing a quality of football that simply overflowed with style, skill and unbridled joy. The author then details how in the following two World Cups (1974 in West Germany and 1978 in Argentina), Brazil lost their way as they tried to adopt a more European style of play, finishing fourth in 1974 and third, four years later.

However, by 1982 there was a return to the Brazilian spirit of 1970, with a freedom in their football, which Horsfield suggests may have been influenced by the political scene in the country as the military dictatorship lessened its grip on power. This uninhibited and talented Brazil squad were drawn in Group 6 in the First Round along with New Zealand, Scotland and the Soviet Union. The author dedicates a chapter to each of these games, with his youthful bewilderment at what he saw evident in the writing. The Seleção won all three games with a brand of football labelled ‘futebol arte’, to advance to the Second Round, which format wise back then, was made up of four groups of three teams, with only the four winners advancing to the semi-finals.

As with the First Round, Horsfield again details each game in a separate chapter, with Argentina and Italy their opponents. Brazil took on their South American rivals in the first match, convincingly winning 3-1. Going into the Italy game, Brazil knew that a draw would have been good enough to see them through to the last four, whilst the Azzurri (The Blues), knew that only a victory would be good enough to progress. With the way Brazil had been playing and with Italy having been uninspiring in the competition up to then, it was assumed by most experts that it would be a straightforward win for captain Sócrates and his team.

The events though at the Sarrià Stadium in Barcelona, didn’t though follow the script, and a Paulo Rossi hat-trick in a pulsating encounter that saw Italy win 3-2, ended the Brazilian dream, in a game that is seen as one of the greatest World Cup encounters of all time. Horsfield captures the drama of the match itself both on the pitch and in the stands and reveals the real sense of loss his ten year old self felt at the exit of Brazil. The book though doesn’t end there though with two final chapters, Aftermath and Legacy concluding this interesting read. A conclusion from those closing chapters is that 1982 pretty much marked the end of free-flowing football being a style to become World Champions, with Brazil adapting to be a more pragmatic in their victories in 1994 (ironically beating Italy on penalties) and in 2002.

Besides, Horsfield’s own recollections of the games, the book is enhanced with contributions from players, coaches and media at the tournament. Within the chapters on each fixture, the use of quotes from television commentary of the time to describe key moments is a nice touch and almost makes the reader instantly want to look them up on YouTube (which the author helpfully lists at the back of the book). If there is a slight criticism, it is that there is sometimes an overuse of metaphor as Horsfield makes a point about a particular player, coach or situation. However, this doesn’t detract greatly from a book that tells an intriguing story and takes the unusual stance of bringing to life a team that despite its enormous talent, will be remembered for being losers and not winners.

 

(Pitch Publishing. October 2020. Hardback 255 pages)